“ALL 6′S AND 7′S – THE TOUR”: RECORD-PACE TREK KICKS OFF MAY 10, 2011

(Los Angeles, CA) The numbers do not lie, but they will certainly make your eyes bug out. This summer, Strange Music’s founding artist, Tech N9ne, celebrates the release of his newest album, All 6′s And 7′s, on June 7 (aka 6/7).

With appearances by Snoop Dogg, B.o.B., E-40, Busta Rhymes, Twista, Yelawolf, Stokley (Mint Condition), Chino Moreno & Stephen Carpenter, Jay Rock, Kendrick Lamar, T-Pain and Lil Wayne (a collaboration hashed out during a visit Tech paid to Lil Wayne at Riker’s Island), All 6′s And 7′s features star power to commensurate with Tech N9ne’s own independent notoriety. The highly anticipated follow-up to Tech N9ne’s 2009 album K.O.D.,

All 6′s And 7’s shines with production from beat maestros Michael “Seven” Summers, Justice League, Will Power, Youngfyre, Em-80, and Wyshmaster. The track “Worldwide Choppers” (co-starring Yelawolf, Twista, Busta plus an explosive coterie of international MCs) has already gained attention for pushing hip-hop into new territories.

See it happen up close on “ALL 6′S AND 7′S – THE TOUR” as Tech N9ne heads out for an incredible total of 82 shows in 85 days. On May 10th, 2011 the opening leg breaks north, as the “Canuck The Industry” Tour bucks Canada with 15 shows in 15 days from Montreal, Quebec to Chilliwack, B. C. Then, on May 26, the domestic campaign kicks off in Seattle as “ALL 6′S AND 7′s – THE TOUR” blitzes the U.S.A. for 10 non-stop weeks.

Fully fueled with iron-hot hip-hop, “ALL 6′S AND 7′S – THE TOUR” will test the limits of man and machine. Many of Strange Music’s own custom fleet of vehicles will be called into service as Strange artists including Jay Rock, Krizz Kaliko, Kutt Calhoun, Big Scoob, along with new signees, Stevie Stone and ¡Mayday!, accompany Tech on the road. Surprise guests on certain tour dates have prime potential, as the roster of features on All 6′s And 7′s suggests. Underground hip-hop’s most iconoclastic star is ready to go supernova in the biggest way.

“World Domination, One Venue At A Time” has always been something of an unofficial Strange Music motto. Launched in 2000 from their own pockets as a 50/50 partnership between Tech N9ne and self-made entrepreneur Travis O’Guin, Strange Music has grown into the biggest independent label in hip-hop, with annual revenues exceeding $15 million. The Kansas City-based label has circumvented the traditional hip-hop power structure by taking their music to the people, averaging over 200 tour dates a year. In 2009, Tech performed on the main stage of the Rock The Bells festival, proving his worth alongside well-known names like Busta Rhymes, Nas and Mos Def.

With his signature face paint front and center, Tech N9ne will tear through 90-plus minutes of high-octane performance each night, laying claim to the title of the hardest working artist in hip-hop, but it’s not enough. As Tech attests: “We will not rest until the whole world knows our story.”

Email: info@dopplerstuidos.com

Address: 1922 Piedmont Circle, Atlanta GA 30324

Established in 1969, Doppler Studios operated out of a modest one-room studio and played host to a fledgling jingle company.  Today, Doppler boasts seven studios and produces audio for major league mix of music, advertising, corporate, film, and video projects. Big jobs, little jobs, Doppler does the all. With a wealth of experience, and extensive array of state-of-the-art equipment, and an outstanding staff dedicated to quality customer service, Doppler Studios is one of the premier audio facilities in the South East.

Mailing Address: 1094 Hemphill Avenue NW, Atlanta GA 30318

Patchwerk Recordings was born out Patchwerk/13 year Atlanta Falcons Offensive Tackle Bob Whitfield’s love of music. After financing studio time to record a demo for a high school friend and inspiring rapper Ras Kass, Bob began to realize the magnitude of Ras’ rap talents and the potential to build a business around this burgeoning genre of music. He soon enlisted the help of a college friend and entrepreneur BJ Kerr and operations began in 1994.

An artist must be allowed time to think, given ample opportunity to search the vast chasm of their imagination for an idea only they have talent to manifest. When paid this allowance the results can be substantially lucrative.

Hip-Hop recording artist and entrepreneur Big Boy Slime Balla has yet to make a decision without first taking proper time to calculate. His mathematician-like patience and preparation are leading to successful endeavors written out long form. Slime Balla is showing you his work, and he would be the first to attest numbers do not lie; since launching imprint Slime Money Entertainment in 2005 he has sold an astounding 50,000 units independently. “The microphone is the ultimate tool,” he says. “When people can hear you, you can be influential to them. When that influence is good to them they’ll pay for it. I’m giving them something worth their money.”

Big Boy Slime Baller’s emphatic rhymes are cash on delivery. He coins phrases that permanently embed themselves in listeners CD players, MP3 devices, and memories. Able to spin emotionally detailed stories or street and party anthems, Slime Balla is in heavy rotation because he puts his weight on all audible notations.